Fellow blogger J.A.P ., in a comment on a previous post, rekindled an old debate that’s very close to my heart. He said he could not wade through Salman Rushdie’s The Ground Beneath Her Feet . Neither could I. It would be wrong to state that I was a Rushdie fan. Actually, I used to be a Rushdie fanatic. But then, he fell by the way, and so did my love for him. What beggars belief is the slovenly denouement in the genius’ literary career. It somewhat reflects the climax of his magnum opus, Midnight’s Children , which shows the protagonist, Saleem Sinai, disintegrate – alluding to the fractious state of the Indian republic. Rushdie, too, disintegrates after completing the novel -- the death of the artist as a philanderer, a controversy-mongerer… Shame was so similar to Midnight’s Children that I didn’t bother to flip beyond page 5. The Moor’s Last Sigh was somewhat palatable. And the less said about The Ground Beneath Her Feet , the better. Fury was too convoluted, couldn’t finish even...